Other hand a sixfooter with a wifey up to his watchpocket. Long and the short of it. Big he and little she. Very strange about my watch. Wristwatches are always going wrong. Wonder is there any magnetic influence between the person because that was about the time he. Also that now is magnetism . Back of everything magnetism. Earth for instance pulling this and being pulled. That causes movement. And time? Well that’s the time the movement takes. Then if one thing stopped the whole ghesabo would stop you what’s going on in the sun, the stars. Little piece of steel iron. When you hold out the fork. Come. Come. Tip. Woman and man this is. Fork and steel. Molly, he. Dress up and look and suggest and let you see and see more and defy you if you’re a man to see that and, like a sneeze coming, legs, look, look and if you have any guts in you. Tip. Have to let fly.
James Joyces, Ulysses
Drained all the manhood out of me, little wretch2003, triptich, encaustic and acrylic on canvas (66” x 28”) Clever Little Minx 2004, encaustic, silver leaf and gold leaf on canvas (22” x 28”)Eyes and maidenhair, bronze and faint gold in deepseashadow 2004, encaustic, copper leaf and gold leaf on canvas (22” x 28”)Every Bullet has a Billet 2009, Encaustic on canvas (22” x 28”)Come what might she would be wild, untrammelled, free 2003, encaustic and gold leaf on canvas (22” x 28”)Heartbeats her breath: breath that is life 2004, encaustic, silver leaf and gold leaf on canvas (22” x 28”)By Rose, By Satiny Bosom 2003, encaustic and gold leaf on canvas (22” x 28”)There was a suspician in the mellow tones 2004, encaustic and gold leaf on canvas (22” x 28”)Like a cat sitting beyond a dog’s jump. 2004, encaustic and copper leaf on canvas (22” x 28”)Ye crags and peaks I’m with you once again. Life, love, voyage round your own little world. 2003, encaustic and gold leaf on canvas (22” x 28”)The old love was waiting, waiting with little white hands stretched out, with blue appealing eyes.. 2003, encaustic and copper leaf on canvas (22” x 28”)The beauty of poetry, so sad in its transient loveliness, had misted her eyes with silent tears 2003, encaustic, silver leaf and gold leaf on canvas (22” x 28”)Look under the bed for what’s not there. 2004, encaustic and silver leaf on canvas (22” x 28”)Laughing linked, high haircombs flashing, they catch the sun in mocking mirrors 2004, encaustic, silver leaf and gold leaf on canvas (22” x 28”)
Heather Gentleman 