My practice is fundamentally narrative, drawing on literature, history, and mythology to examine how stories shape cultural memory and collective belief. While drawing and painting remain central to my work, I also incorporate sculpture, video, text, and installation to create layered, immersive environments. I am interested in how ideas and social mores recur across time, and in how our understanding of both the past and the future is continually filtered through the present. Much of my work returns to the Victorian era, a period whose values, formed through exploration, empire, faith, and science, continue to structure contemporary life.